Robert Maidens is working on a PhD at Birkbeck College investigating characters who create new identities in fiction of the mid-nineteenth century. He is an Assistant Lecturer at the University of Kent.
Heather Tilley has recently completed her thesis entitled 'Blindness and Writing, 1800-72', at Birkbeck College, University of London. She is currently a teaching fellow in the English department at Birkbeck.
Ruth Livesey is Reader in Nineteenth-Century Literature and Thought in the Department of English, Royal Holloway, University of London, where she directs the MA in Victorian Literature, Art, and Culture. Her publications include Socialism, Sex, and the Culture of Aestheticism in Britain, 1880-1914 (OUP, 2007) and the forthcoming co-edited collection The American Experiment andtheIdea of Democracy in British Culture (Ashgate, 2011). She is Assistant Editor of the Journal of Victorian Culture.
Ella Dzelzainis is Lecturer in Nineteenth-Century Literature in the School of English at Newcastle University. She is co-editor of two forthcoming essay collections: Harriet Martineau: Authorship, Society, and Empire (MUP, 2010) with Cora Kaplan; and The American Experiment and the Idea of Democracy in British Culture, 1776-1914 (Ashgate, 2011) with Ruth Livesey. Currently, she is working on her British Academy postdoctoral research project, Fictions, Feminisms and Malthus, 1798-1916.
Ben Winyard recently completed his PhD thesis 'The Sexual Politics of Victorian Anti-Catholicism, 1833–90' at Birkbeck, University of London. He has taught MA options on ‘Dickens’ and ‘Queer Histories, Queer Cultures’ at Birkbeck and worked as an editorial assistant on 19: Interdisciplinary Studies in the Long Nineteenth Century. He has been a co-organiser of Birkbeck’s annual Dickens Day since 2005.
Isobel Armstrong FBA is Emeritus Professor of English and Fellow of Birkbeck, University of London. She has written widely on nineteenth-century literature and poetry (Victorian Poetry: Poetry, Poetics and Politics, 1993; The Oxford Anthology of Nineteenth-Century Women’s Poetry, 1996) and on the aesthetic (The Radical Aesthetic, 2000). Her latest book is Victorian Glassworlds. Glass Culture and the Imagination 1830-80.
Laurel Brake is Professor Emerita of Literature and Print Culture at Birkbeck, Univ of London. She is the author of Print in Transition and Subjugated Knowledges, and editor of a number of books on the press. Recent work with Jim Mussell and others includes ncse (Nineteenth-Century Serials Edition), a digital edition of seven 19C periodicals www.ncse.ac.uk/ , and DNCJ (Dictionary of Nineteenth-Century Journalism), co-edited with Marysa Demoor, in print and online. With Jim Mussell with others she also co-edited WT Stead, Newspaper Revolutionary in 2012 and a special issue on Stead in 19. An Interdisciplinary Journal www.19.bbk.ac.uk/. A co-edited book on the News of the World and various pieces for Victorian Periodicals Review appeared in 2015. She is currently writing Ink Work, a biography of Walter and Clara Pater. She is editor of Vol 5, on Pater’s journalism, of the forthcoming Collected Works (OUP).
David Feldman is Director of the Pears Institute for the Study of Antisemitism and a Professor of History at Birkbeck, University of London. He is the author of Englishmen and Jews: Social Relations and Political Culture, 1840-1914 (Yale University Press, 1994). Most recently, with Jon Lawrence, he co-edited Structures and Transformations in Modern British History (Cambridge University Press, 2011). He is currently working on two projects: one concerned with 'The history and politics of "antisemitism"'; the other concerned with the relationship of the state to migrants, immigrants, and ethnic minorities since the seventeenth century.
Alexis Wolf is Lecturer in Eighteenth-Century and Romantic Literature at Birkbeck, University of London. She was awarded a Birkbeck/Wellcome Trust Institutional Strategic Support Postdoctoral Grant for research on women’s participation in medicine in the early nineteenth century through the creation and exchange of specialised manuscripts, medical training and the publication of texts of domestic medicine. She is currently working on her first monograph, Women’s Writing, Manuscript Culture and Transnational Travel in the Romantic Period, which examines women’s lives and literature in the Romantic period with an emphasis on remapping their engagement with antiquarianism, historical writing and medicine.