This issue, guest edited by Ella Dzelzainis and Ruth Livesey, explores the transformative flow of texts, images and ideas back and forth between Britain and America in the long nineteenth century. The provenance of our lead image, Niagara Falls, from the American Side (1867), echoes this transatlantic movement. Painted by an American, Frederic Edwin Church, it was bought in 1887 by the Scottish emigrant, John S. Kennedy, who presented it to his native Scotland. Capturing the sublime and vast potential of America through its portrayal of a rainbow over the Falls, the picture now hangs in the National Gallery in Edinburgh.
Table of Contents
Articles
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Introduction: Transatlanticism: Identities and Exchanges |
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Ella Dzelzainis, Ruth Livesey |
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A White Atlantic? The Idea of American Art in Nineteenth-Century Britain |
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Gallery
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Tim Barringer |
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Response to Tim Barringer, A White Atlantic? |
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Kate Flint |
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America on Display: Constructing and Containing Images of the United States |
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Ted Hovet |
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George Augustus Sala and the English Middle-Class View of America |
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Peter Blake |
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Beyond the Mohawk Warrior: Reinterpreting Benjamin West’s Evocations of American Indians |
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Julia A. Sienkewicz |
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‘Have the elder races halted?’: British Socialist Readings of ‘Pioneers! O Pioneers!’ |
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Poem
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Kirsten Harris |
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‘Pioneers! O Pioneers!’ and Whitman’s Early German Translators |
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Poem
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Vanessa Steinroetter |
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Forum
| Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture |
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Isobel Armstrong |
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| James Tissot, 'Goodbye, on the Mersey': a Reading of the Transatlantic Journey |
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Vicky Greenaway |
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Reviews
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Paintings from the Reign of Victoria: The Royal Holloway Collection, Yale Center for British Art, New Haven, Connecticut, 7 May – 26 July, 2009 |
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Gallery
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Catherine Roach |
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Book Reviews
| 'The Atlantic Enlightenment', edited by Susan Manning and Francis D. Cogliano |
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Felicity James |
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| 'The Transatlantic Indian, 1776-1930', by Kate Flint |
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Rohan McWilliam |
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| 'Henry James, Oscar Wilde and Aesthetic Culture', by Michèle Mendelssohn |
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Mark Turner |
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| 'Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms', edited by Ann Ardis and Patrick Collier |
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Janet Floyd |
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