Font Size:
Gallery: A White Atlantic? The Idea of American Art in Nineteenth-Century Britain
Tim Barringer
Fig. 1Emanuel Leutze, Washington Crossing the Delaware (1851), oil on canvas, held by the Metropolitan Museum of Art, New York.
Fig. 2John Gast, American Progress (1872), oil on canvas, held in a private collection
Fig. 3Hiram Powers, Greek Slave (original c. 1847), photograph of 1851 copy held at Yale University Art Gallery.
Fig. 4John Singleton Copley, Paul Revere (1768), oil on canvas, held by the Museum of Fine Arts, Boston.
Fig. 5John Singleton Copley, Boy with a Squirrel (1766), oil on canvas, held by the Museum of Fine Arts, Boston.
Fig. 6John Singleton Copley, Young Lady with a Bird and Dog (1766), oil on canvas, held by the Toledo Museum of Art.
Fig. 7John Singleton Copley, The Copley Family (1766/7), oil on canvas, held by the US National Gallery of Art.
Fig. 8Thomas Cole, A Tornado in the Wilderness (1830), oil on canvas, held by the Corcoran Gallery of Art, Washington, DC.
Fig. 9Thomas Cole, The Course of Empire: The Savage State (1834), oil on canvas, held in the Collection of The New-York Historical Society.
Fig. 10Thomas Cole, The Course of Empire: The Consummation of Empire (1836), oil on canvas, held in the Collection of The New-York Historical Society.
Fig. 11Thomas Cole, The Course of Empire: Desolation (1836), oil on canvas, held in the Collection of The New-York Historical Society.
Fig. 12Frederic Church, The Heart of the Andes (1859), oil on canvas, held by the Metropolitan Museum of Art.
Fig. 13J.M.W. Turner, Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On (1840), oil on canvas, held by the Museum of Fine Arts, Boston.
Add comment
Copyright © by the contributing authors. All material on this collaboration platform is the property of the contributing authors.
Design, development and hosting: Centre for Computing in the Humanities, King's College London